From conquering fear to business models that don’t react – best reads of the week

It’s been a while since I’ve done a link post – and I think I want to get that back in on this blog. The holidays and general craziness is over for now, so time to get back to basics. Following are some super reads that I wanted to share.

Overcoming Fear by Jo Eberhardt. This has to be one of the best things I’ve ever read on overcoming our own doubts about ourselves. I actually cried as I read this heartfelt and often funny story. Do yourself a favor and read it – it will make your day, put a little bounce in your step and lift your head just a little higher.

THE E-PUBLISHING REVOLUTION IS DEFINITELY NOT OVER (Regardless of what you’ve heard)
Literary Agent Laurie McLean, is pretty sure the ePub revolution is not over and that Indies still have some serious say in the world of books.

75 New Year’s Resolutions for Writers. Yup that’s right WiseInk has 75 resolutions from which to choose that you could conquer this year. I have to admit, there were quite a few I think I’m going for.

9 Ways To Make Your Author Resource Box Sizzle by Publicist Joan Stewart. You know she has some great examples of the mini bios that authors can do for various platforms. Some of them really quite good.

Business Musings: The Reactive Business Model by Kristine Kathryn Rusch. It’s a long read and there was a lot of ‘back story’ to get to the point but when she gets there, it’s worth the trip. And I couldn’t agree more with her.

As a little bit of further inspiration, I tossed in this trailer for a movie called, “Joy,” which I just saw this afternoon. If you are someone with a dream, I highly recommend the film. One of the most inspirational stories I’ve seen in a long time.

Have a great week.

Annie

The Unvarnished Truth – Do We Want it?

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Porter Anderson wrote a very thought-provoking post on Writer Unboxed the other day: Truth Be Told? Truth Is on Thin Ice.

He opens with a formula for ‘authenticity’ as developed by branding expert, Marc Ecko, which is this:

Authenticity is equal to your unique voice,
multiplied by truthfulness,
plus your capacity for change,
multiplied by range of emotional impact,
raised to the power of imagination.

And then Porter uses this formula to springboard into the main topic, which is truth in publishing. And poses these questions:

How good are you at truthfulness? Why don’t we tell the truth more in publishing? And especially in writing?

He answers them in part by using his own experiences from an event called Author Day that he put on in London. Long story short, during the conference things were said that were kind and encouraging, afterward criticism was launched from the same people that was not so kind.

And then he makes the point that many of us have made. We say things that we don’t mean about books we don’t read, to be nice. Or write reviews that a more glowing than they should be, and so it goes. And it’s of course, something that all of us have done. We have our reasons. Maybe to be nice. Maybe to avoid conflict. Maybe because we’re worried that if we are totally truthful, someone may turn around and do the same to us. And each person has their own version of truthfulness, and some versions can be quite devastating.

The Truth Bureau – are we ready for it?

Ultimately, Porter suggests developing what he calls the Truth Bureau. A group of anonymous readers who agree to give the unvarnished truth about books that are submitted for their critique. The books of course would be anonymous too, with no clue as to the author or any other identifying data that might give a clue. This would then ensure that we could learn the real truth about our books. It would possibly be set up as a service for which authors would pay. All from the view of course, of improving their work.

I found this to be a very interesting idea. Certainly on the face of it, there is a lot of potential to opening the doors of truly improving our work. And I don’t know any writer who is serious about their craft who doesn’t want to be better than they are. It’s a natural desire for any artist to strive for improvement – otherwise, you are in essence just phoning it in. And what writer worth their weight in words wants that?

Of course there is the bugaboo of having yet another thing that we indies must pay for. And you can’t swing a dead cat (sorry cat lovers) without hitting some guy with a service that guarantees he will realize your writer dreams. There’s even one guy out there promising people he will make you a best selling author on Amazon – even if you hate to write. Think about that one for a minute. Gives one pause, doesn’t it?

The other main stumbling block, I believe to something like the Truth Bureau is I think, human nature. We can be quite cruel to one another, especially when anonymous. The Internet is teeming with trolls and flamers and people who love to visit their hatred on poor unsuspecting strangers. The whole review system online is problematic. There are so many concerns people have; if they are authors they know that whatever they say online can be found and used against them; writers are cautioned against responding to negative reviews; and conversely I’ve seen writers attack reviewers, which only ends up making people think twice about writing them. And the list goes on. And what’s to say that people wouldn’t sign up to be an anonymous reviewer just to get their hate on?

Likely a service like this would have better oversight than Amazon, where anybody can lob hate bombs with impunity, but there would still probably be damage done before they were removed from participating.

What about a co-op?

Personally, I do like the idea of a Truth Bureau because it has great potential to help authors and thusly readers. Perhaps a co-op of writers and readers who are not completely anonymous but instead are committed to truthfulness. With a list of criteria to follow in their critiques, to avoid the feedback from becoming personal would work. The names of the authors could be left off, so that wouldn’t act as influence and perhaps the reader picks a genre that they read and gets a choice of 3 or 4 titles to choose from. Or perhaps I’ve just described a critique group. Not sure.

I do agree with Porter though, who I believe to be one of the good guys out there, telling the truth as best he can. We need more truth online in general, and in publishing specifically. The current review system is broken. Is is unpoliced and you honestly have no idea what you’ll get. Good. Bad. Hate. Love. It’s all up for grabs. And a crap shoot at best.

In the meantime

But in the meantime, given the way things are currently I will probably still continue to give overly nice reviews. Sorry but I’d rather be safe than sorry. Even with authors I don’t know, I am ever aware of the fact that if I’m too honest I will be attacked whether by the author or their fans or someone else. So, for now, I won’t write the unvarnished truth. Is this wrong? Perhaps. But in my experience, it is the rare person who wants the total truth about their creations. And sometimes a little truth goes a long way.

What about you? Are you totally truthful in critiquing another’s work? Are your reviews/critiques overly nice? Short and sweet? Any ideas on how a Truth Bureau could work? Feel free to tell us what you think in the comments.

Note: I’m offline for a few days but will happily respond to any comments when I return.

Annie

What to expect when you self publish

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Self publishing is a new thing to me. Very new. But I have to say even in a few days I’ve learned a lot. I humbly pass what I’ve learned onto you:

Things will go wrong. For example when I sent the check to the formatters to have my files converted to digital files, little did I know that Florida would have a week of heavy rain, flooding and delayed mail delivery. It set my schedule back nearly a week.

You’ll learn what sleep deprivation really means. I haven’t slept in two weeks. My dog is afraid of my cat hides and me whenever she sees me coming. Although the hallucinations are interesting and might make for some good inspiration for a horror story somewhere down the line.

You’ll have energy you don’t know what to do with. All the hype all the anticipation all the worry, excitement, and jitters do not go away after you press publish. Actually, it is set free and you’ll find yourself wandering around thinking you have something to do when you don’t. Everything you attempt to do will go unfinished and your attention span will have reduced to that of a gnat.

Your expectations won’t be met. You’ve told yourself you won’t expect anything. You’ll publish and see what happens. But you do expect things. No matter how hard you try to act casual, you won’t be feeling it. You’ll wonder why your aunt Myrna didn’t buy a copy of the book. Why everyone you ever met hasn’t called or sent you a congrats email, why everybody else is going about their business as though nothing has happened.

You’ll have yet another thing to obsess about. Yup, just what you need. A new obsession. That shiny object is known as the Amazon author dashboard. In real time, you can watch your sales and page reads change. Or not. Or not fast enough. You’ll tell yourself that you’ll only check it twice a day – first thing in the morning and last thing at night. But you’ll check it every hour. Every half hour. Every five minutes. It’s too cool not to be obsessed by it. It’s the magic of technology.

You’ll want to cry – if you’re a guy, you may want to punch something. You won’t necessarily know why you want to cry. And you’ll resist it. You’ll try to reason with yourself. Convince yourself there is nothing to cry about. That everything is going fine. But it won’t matter because all that stress, worry, anticipation will have you hopping around like a Mexican jumping bean. Let yourself. Cry. Cry it all out. Or punch something – not a human of course, but walls can be repaired, punching bags are made for such things. You’ll feel a bit better afterward. Really, you will.

You’ll feel like you should be doing something but you won’t know what it is. Leading up to publishing you’ve had a list and you proudly checked off each item as you accomplished it. Now, you don’t know what to do. Should you keep tweeting and face booking your carefully constructed promos banner one more time? Should you do the laundry that has been piling up for a month? Should you try to get your cat out from under the bed. Chances are you’ll just check your sales dashboard again and alternate that with playing online solitaire or mahjong..

You’ll think of details you should’ve added to the books, or edited out or changed. You may even be tempted to take the book down and do another round of edits before re-publishing. Your mind is a cesspool of shoulda, woulda, coulda.

How to get some perspective

Okay so this completely new world of self-publishing is exciting but now that you’ve done it, clearly you’ve got a case of the crazies. And if you don’t get hold of yourself, you may end up

It’s understandable. You’ve spent months maybe even years preparing for this and now that’s it has happened you don’t know what to do with yourself. The following may help:

Tear yourself away from all of it. Yup. Go to the beach, go hiking, check into a motel in the mountains for a couple of days. Unplug. Leave your devices at home, or at least locked in your trunk – and forget about all of it for a little while. You may go through a little withdrawal, but after a few hours, you’ll feel better.

Stop stalking your friends and relatives with helpful suggestions on how they can buy your book. Chances are, most of them probably will – eventually. But people resist being told what to do. If you leave them to their own devices, they’ll come around. And some of them won’t. And you have to be okay with that. Though this is a milestone in your life, it’s just one more detail that buzzes by them in a blur.

Come up with a plan. After you’ve gotten some sleep, some space and some decent food, sit down and come up with a rational plan on how you will promote your book (if you haven’t already). Even if you had a plan before publishing, now that you’ve had a taste of the reality, you may need to tweak it. If you simply don’t know what to do spend some time on blogs of those who have blazed the trail already: Anne R. Allen, Hugh Howey, Chuck Wendig and Joe Konrath all have great blogs filled with useful advice for self publishers.

Start your next book. This may sound crazy. You’ve just spent months, maybe years writing the book you just published and I’m suggesting you start your next one? Yup. That’s right. If you are in this for the long haul, the next book should be foremost on your mind. When readers discover you and like your work, they’ll want more. Be ready for them. It’ll also give you something to focus on and pour all that crazy random energy into and likely be a calming influence in your life.

Keep notes. After you publish, keep a log of all the promo actions you do – large and small. Because I guarantee if you see a spike in sales, you’ll want to know what caused it. If you have a record of the actions you’ve taken, you’ll be much more able to figure out what works and what doesn’t.

Above all else, don’t become discouraged. Nothing happens overnight. Even though it may appear to be that way. It just isn’t true. There may always be the exception to the rule, but chances are you won’t be that exception. Chances are you are going to have to work hard, go through a lot of trial and error, fail and succeed continually to get to that sweet spot. It doesn’t mean that you aren’t good, that your books aren’t good, that people don’t want to read them. It just means there is a learning and experience curve. Slow and steady wins the race, or something like that.

Be proud of yourself. You did it. You had the courage and persistence to write that book, polish that book and publish that book. Of the millions of people who ‘want’ to write a book, you are one of the few who did. Be proud. That is an accomplishment. Now go write the next one.

Annie

Who Won the Hugos, Why it Matters & Other Good Stuff

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Who won science fiction’s Hugo Awards and why it matters. By Amy Wallace. A very long and detailed article about the controversy leading up to the Hugos and the results. For me, it provided some clarity on what all the ‘debating’ has been about over these last several months. Good read, but it’s a long read, so get comfy.

Simple Promo Tip: Nailing Your Email Subject Line by Sharon Bially. Nice, straightforward advice on email marketing for authors.

The Holy Grail for Authors. 5 Reasons to Self Publish by Sheri McInnis. Trad published author is going indie – she tells us why.

Six Magic Phrases You Can Use to Sell More Books by Sandra Beckwith. Yes, yes, and yes.

Best Colors for Book Covers. Is a great little gem that discusses basic design, color choices and images for book covers. Highly recommend. 😀

Meanwhile, I’m on track to make my August 30th deadline. Stay tuned.

Annie

Like a chimp in a china shop

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So in my quest to actually get my books published and introduced to the world this week, I endeavored to put together an email, announcing the same.

If you’re like me, with little to no design experience or savvy you’re probably smart to set up one of those email services. They have templates with simple drag and drop functions and/or themes so it’s just a matter of putting your marketing email together and moving on to the next step in your marketing strat.

And that’s just what I did. I set up a Mail Chimp account and played around with a few elements and figured it’d be a slam dunk. Easy-peasy. I had a nifty little promo piece I was going to slide in there with a little copy and that would be it. Bada-boom,bada-bing, right?

Not so much. The ‘simple’ drag and drop method of building an email template turned out to be not so simple after all. I was dragging but the components weren’t dropping. Or they were dropping in the wrong place. And I couldn’t get my promo piece to look right. And the pictures of the books had to be resized but they looked all wrong.

So I scratched my original concept and went with one of their ‘themes.’ Piece of cake, right? Not for me. The templates are comprised of a text blocks, images, and elements with certain specs. If your text and images don’t fit, you have to cut, resize, drag, and pray it’ll work. In my case – it didn’t. Certain things just didn’t want to drop or drag where I wanted them to be, so in frustration I’d delete the element. But then it would leave a white space that I simply couldn’t get rid of no matter what I did. I think I tried every theme and template they had but nothing came out right.

I’d also forwarded a few of the test emails to a couple of friends for feedback. One of my friends couldn’t see the images and had just big gaping blank spaces to look at.

After eight hours of fiddling with emails and sending test emails to myself to see how my emails looked (dreadful) I was about as coherent as a monkey who’d over indulged in banana brandy and a box of chocolates.

But I wasn’t willing to give up because I have many other things to do and wouldn’t have time to deal with it later. As a last ditch attempt I went with a simple text template and that was better. Still there was work to be done.
So this morning, I figured it out and I think I have a simple, easy to read email that looks pretty good. Well…okay, anyway.

The take-aways

If you’re like me and really don’t know or understand design, even the simple drag and drop method can be daunting and yield crappy results. And you can spend hours driving yourself mad and still not get the results you want. What worked for me was:

  • Use the simple text template. You can still add images, text blocks, social sharing buttons, etc. But since it’s very bare bones you won’t have to worry about getting rid of or reordering things that exist in a theme or dealing with a predetermined layout.
  • Resize you images in another program. If you don’t have the software on your own computer, there are a couple of online sites where you can effectively resize images that look good. Pxlr and iPiccy were the two that worked best for me.
  • Use no more than three images. Part of my problem was that I was trying to put too many images in one little email. The result was a cluttered mess. When I let go of the idea of having to use my existing promo piece and just used the cover images for the books, the email instantly looked cleaner and more focused. So pick the three best images you have or want to use and save the other images for other venues.
  • Design your layout before you start working on it. I found that simply opening a Word Doc and rearranging the text, headlines and images until I found the layout I liked made it much easier to put the actual email template together. I just kept it open and referred to it as I was building the email.
  • Less is more. When you’re anticipating releasing a book or a product that you’ve spent a long time working on, it’s natural to want to make a big splash. But let’s be real. We all get a bazillion emails a day, most of which is some type of advertising or another. So don’t turn your email into a web page. Just give them the basics – some nice images, a couple of snappy headlines, good interest-peaking text, and how they can get what you’re offering.

How about you? Have any tips on putting together a nice email to promote your book? Ever sent one that was a disaster? What happened? Tell us in the comments.

Annie

Writing, secrets and self-publishing

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Much of the creative world is built around secrets. Creatives and those who market, manage, and leverage them are very hush-hush about projects – lest someone steal it or leak it. Surprise I suppose is the proffered reason. And controlling the message. And probably most important – ensuring no one else beats you to the punch.

The publishing industry is no exception to the rule. Which may be why so many authors find it exceedingly difficult to break in to the inner circle of successful authorship. And even of those authors who do manage to break in, the majority of them:

  • Make little to no money
  • Don’t gain a strong readership
  • Lose their rights to their work for life
  • Never get to quit their day jobs

Although many mainstream best-selling authors offer advice, write books, create courses, and espouse formulas that they followed to become successful – as far as I can tell – these offerings do little to nothing to help hopeful authors actually succeed.

Independent authors exceptions to rule

Then Amazon did this wild and crazy thing – they created an eReader. And then created a platform for writers to publish and sell their own works to a practically limitless audience. And authors started to succeed on their own where the publishing industry had let them down.

Say what you will about indie authors and criticize them all you like but in my mind there is a significant difference between them and mainstream traditional authors. They talk. They don’t keep secrets. Most of them will tell you everything they did, with copious details, to succeed. Because they aren’t beholding to a publishing company or contract. They are free to create and share any and all of their experiences. Often with wild abandon. Because they want to help other authors succeed. And they want readers to have more choices. Secrets by and large don’t seem to matter to them. Go figure. More books, more choices, more readers seem to be the priorities.

Indie author up close and personal

I’m about to self publish a 3-book mystery series and as part of my prep leading into the release of the books I have a list. One of the things on that list was to pick a successful indie author and study them. So last week I picked a well-known indie author and read his entire blog. It took me about five days to read five years of blog posts. I was totally immersed in this fellow’s world and journey for nearly a week and I have to say I learned a lot:

The good

The good news is that anyone who is willing to do the work, can publish and succeed. And that success can be and should be defined by the author. You want to be a best seller? Great then go for it. You’d be happy to be a working author who can quit your day job and live on your author earnings – you can do that too. As long as you do the work.

The bad

You have to do the work. You have to make choices. Sacrifices. You won’t get there by turning out one book every two years. You won’t get there by sitting around playing video games. If you don’t approach it as a business and accept that you are also a publisher and have all the attendant duties and obligations of a publisher it won’t happen. And it can and probably will take years. It ain’t a sprint, it’s definitely a marathon.

The elating

There is no editorial censoring. You can write the stories that you want to write. The stories you feel you were meant to write. You don’t have to write formulaic drivel because that’s what sells. You can maintain your own true voice and creative integrity. And you can find a readership who wants to read your stories.

The frightening

It’s all on you. There are no editors or publishers to blame. There are no agents to bitch about. There is only you, your work, the quality of your work and your own marketing efforts. And luck too plays a part. Being at the right place at the right time. That is something over which you have no control.

The take away

I believe the one thing that all indie authors have in common is a pioneer spirit. Though they may be nervous or afraid they are still willing to explore the unknown. To blaze new trails. To go in their own direction and take a risk on themselves. To invest in themselves. And to accept each step as its own lesson, even if that step fails. They may not succeed but it won’t be for any want of trying. And if they do then that success is all the sweeter because they did it their way. They bet on themselves and won.

Is self-publishing for everyone?

I don’t know. But I don’t think that it is. There are some authors who want the security of a publishing company. They want to have someone else provide the infrastructure and follow a game plan that in large part is set by someone else. Or perhaps they need someone to keep them on the path, to issue deadlines, to insist they do the work. When you self-publish that all falls on your shoulders. There is no one watching to make sure you do what you’re supposed to do. That you keep writing, that you continue to produce, sell, market and do the work. And that’s fine. All authors should follow the path that works for them. If you want a publisher then absolutely go that way. If you’re willing to take all the risks yourself then go that way. The great thing is that you can choose and aren’t forced into choosing a path you don’t want.

So as I approach my own self-publishing adventure, I look forward to it with elation and fear. I truly have no idea what will happen. Or if anything will happen. Not one clue. It’s a crap shoot for sure. And I’ve already started the next series because that’s what I do. Write. Will I ever be on that list of best-selling indie authors? It’s anybody’s guess. But like they say, go big or stay home. Right?

How about you? What do you think about indie authors? Are you an indie author. Do you plan to self publish? Or have you already? Any tips or lessons learned you’d like to share?

Jane Friedman Gives us the Lowdown on How Your Book Becomes a Movie – and other cool stuff

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How a Book Becomes a Movie by Jane Friedman. Dream of your book someday becoming a movie? Jane gives you the lowdown on how the moon, stars and Hollywood all have to align to make that happen. Excellent read.

The Future Is Freelance by John Bond. Mr. Bond gives us five good and sound reasons why more and more the publishing biz will be and is using freelancers. I say hooray.

Japanese readers spend the most on electronic books from Business Insider. Interesting, the favored book format in Japan is eBooks. Can’t say that doesn’t make me happy.

How Changing Your Reading Habits Can Transform Your Health by Michael Grothaus. “Reading doesn’t just improve your knowledge, it can help fight depression, make you more confident, empathetic, and a better decision maker.” Fascinating and insightful article about some heretofore unknown (at least to me) side benefits of reading.

A few thoughts on new writers and “doing everything right” by Kristen Painter. Sage and straight from the hip advice. Good one.

Just for fun: If you’re stuck trying to come up with a super villain, this villain generator may be just the ticket or a time suck. Up to you.

Meanwhile, I’m working on getting my series release ready to shoot out into the universe. That could be fun. More details later.

Have a great week everybody.

Writer Chick

Gaming Amazon for Kindle Success and Other Captivating Reads…

Confessions from the Underground World of Kindle eBooks, Part 1. An ‘anonymous’ interview with a supposed best-selling Kindle author who has a formula to game the system and make a ton of money. Smacks of cautionary tale to me. Note: There is a part 2 & 3 at the same blog if you are interested in following up on what happened.

Women Crime Writers of the 40s and 50s by Sarah Weinman. Is a fascinating article about women crime writers but not just in the 40s and 50s. Believe it or not we’ve been around almost from the beginning of the genre.

The Power of Fiction – by Jo Eberhardt. Jo discusses whether we as writers have the power to change the world, or at least one person’s world. She makes a compelling case for the yes column.

10 terms coined by Ernest Hemingway by Angela Yung. Just for fun, ten still used phrases that we use thanks to Papa Ernie.

With Lower Prices and 12X More Titles Per Year, Famous Authors Fear Amazon Bestselling authors make roundabout arguments that it’s in readers’ interest for big publishers to collude on high prices. Interesting….

Have a great week everybody.

WC

#Ten Things Not to Say to a Writer Lights up Twitter and other fun stuff

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#Ten Things Not to Say to a Writer. Hilarious.

Another wake-up call from Amazon as they serve author interests better than publishers have. by Mike Shatzkin Discusses what Amazon, yet again, is doing for authors – and it’s a good thing.

A Publishing Contract Should not be Forever. The Author’s Guild suggest a publishing contract with traditional publishers should not be forever. I think he’s got a point.

Living in the White Space by Liz Michalski. Liz suggests there may be more to life than writing, editing and submitting. She may have a point.

Does your site make the grade? Check out this cool free little tool, the website grader.

Meanwhile…I’m working my butt off to have an August release of my mystery series. Wish me luck. 😀

Have a great rest of the week everybody.

WC

ISBNs – One of the Nuts and Bolts of Self-Publishing

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If you’re an indie author and plan to self-publish your book, there are a lot of nuts and bolts details that goes along with that. One of the first details you will need to see to is getting an ISBN. An ISBN is an International Standard Book Number. An ISBN’s purpose is to establish and identify one title or edition of a title from one specific publisher and is unique to that edition.

Explanation from Bowker:

“The purpose of the ISBN is to establish and identify one title or edition of a title from one specific publisher and is unique to that edition, allowing for more efficient marketing of products by booksellers, libraries, universities, wholesalers and distributor.”

So clearly if you want your book to listed in library and distribution catalogs you will want and ISBN. You may opt to accept a free ISBN from Amazon for example, however, ISBNs are not transferrable and Amazon will be listed as your publisher if you accept their offer. Personally, I like to just ‘get my own’ if you know what I mean.

It wasn’t really a daunting process

I don’t know why but I was really nervous about buying the ISBNs – and sent queries to Bowker because I just couldn’t get my wits wrapped around. Although, the fact that I was about to drop $300 probably influenced my emotions somewhat. However, once I followed through I found the process to be really pretty easy and not stressful at all.

Steps to take in obtaining and registering and ISBN

To purchase your ISBN(s) go to: https://www.myidentifiers.com/Get-your-isbn-now. You can purchase one ISBN for $125 but you can get 10 for $299. If you are planning to write more than one book or have different editions such as eBook and Print you will need a different ISBN for each – so it makes more sense to buy the 10-pack in the long run.

The site accepts the usual credit cards but does not accept PayPal.

You will also have to set up a free account with my identifyers so that you can follow through on the assignment process of ISBNs to your book(s). The ISBNs are not just emailed to you in a zip file (yes, this is what I envisioned).

After you have purchased your ISBNs you will receive a confirmation email from Bowker, with live links back to the site to manage your ISBNs. Which though it may seem daunting is a very simple process:

1. Go to: https://www.myidentifiers.com/
2. Log in to your account
3. Under the “My Account” tab, click on “Manage ISBNs”
4. There you will see a table with all your ISBNs listed.
5. In the left column click on “Assign Title”
6. You will be taken to a page with fields in it to fill in – in all there are four pages .(Title & Cover, Contributors, Format and Size, Sales and Pricing) and you simply fill in the information requested. Note: you are only required to fill in those fields that have a red asterisk.
7. Part of the process requires you upload a copy of your manuscript in PDF format. If you don’t own Adobe software, you can convert your document to PDF at: http://smallpdf.com/word-to-pdf It’s free, very quick and simple.
8. You will also be asked to upload your cover image which should be a JPEG
9. Once you have completed all the pages and filled in the necessary fields, you hit the submit button and viola your book now has an ISBN – which can gleefully enter on the copyright page of your manuscript.

I realize this is not a sexy or scintillating topic but I hope it is helpful to anyone planning to self-publish.

How about you? Any good self-publishing tips you’d like to share? Were you as daunted and weirded out as me when you got your ISBNs or did you handle it like a pro? Feel free to share your wisdom in the comments.

Writer Chick